14 f/2.8

End of the long weekend

Wanted some snaps to compliment the St. Magnus, Kirkwall ceiling shot.  Washington Photo Safari had an event today at the National Shrine in DC, so off I went. Got the two shots I wanted, botched a wider attempt at both becuase of the need to get out of the aisle fast. Anyway, a sucess vis-a-vis the original objective.  Wasn't much else that interested, kinda skipped the gift shop and the cafe, so worked some lines and a few Friedlanderesque shots that won't make Sister Anita James happy. As I recall that wasn't much of a regular occurance anyhow. And, hey, that is what it really looks like, the first glance from the official parking lot exit — right on the way from all of the coaches (buses).

All with the A7r and either the Canon 24 TS-E or the Canon 14. I guess I am pretty much a wide-angle guy these days, in fact probably a low-angle, wide-angle guy.

To zoom off to the rest of the snaps, click on the faux Friedlander below.

The National Shrine ala Lee Freidlander

Preakness Saturday

Has nothing to do with the race, only the date — thanks to Butts and Bettys for the reminder. Still working in the neighboorhood which seems to be evolving into the area south of East Baltimore Street, west of Patterson Park Avenue South, North of Aliceanna and east of Broadway. All with the Canon 14 although I am not sure that is going to yeild the quality of results I want until there is ultra wide native eMount. Maybe it is still my focus skills but I am not sure, missed several shots I was retaking — all becasuse of poor focusing. Lens or me? May need do more with the Nikon 20, although that seems too narrow.  

Snaps from Durham Street are ok though and that is the origin of the one below. Rest of them in smugmug here or click on the snap below.

Prints of these are working well at 15"x15" in 20"x20" frames. I especially like the latest ones on Canson Platine Rag. More printing on the agenda for this evening.

 

 

Going formal with a fourteen

Well the 20mm is wide enought left to right but not top to bottom when cropped square. Need a 17 but the only one I have is on a zoom — I am too much of a prime snob to use one of those for this. There are only a couple of workable 17mm choices at the moment for eMount, including adapted, and they are either very pricey or very big. I think the right strategy is to wait until Zeiss says what it is going to do with FE later in the year.

The Canon 14 will do for now with the idea to work on the formal aspects of the snaps. Particularly minding the lines; curb lines, grout lines, fence lines, cable line, power lines, shadow lines any kind of lines but especially those awesome cable and power lines. As it is written, "if you can't fix it — feature it". Although it is more than that with cable and power lines — more like seek them out. No cable or power lines on the street in this neighborhood, they are in the alleys, so the alleys are fertile ground.

From around a little bit of Butcher's Hill's alleys, early this afternoon — plus one from the Canton Dock Area from a late afternoon trip to Harris-Teeter. Click on the snap or here to see the rest. All square, all B&W, all with the A7r and the Canon 14 f/2.8L @ f/11. Turns out the A7r has a grid overlay that provides an interpolatable square - makes it easy to see the frame. Between VSCO Film and Keys in combo with Lightroom's "paste", post processing, including consistent cropping is a snap.

BTW, yesterday's cruise up US 40 to Elkton was pretty much a waste of time and gas. Well maybe not entirely, there is a Wawa in Northeast that mandated a sub stop.

That SoBe look