Trying to scratch out a few

Yesterday found me incapable of plotting even the most pedestrain location. Some searches for today led to Loch Raven, where I had never been and Susquehanna State Park, where I had but was not too thrilled. Both are near enough to Wawa country to at least provide an alternative agenda — so after making a major big pharma contribuion at CVS, Charlotte was pointed north.

Was looking for ice and ice there was plenty of — unfortunately mostly underfoot and not so marvy for snaps. In the end was able to squeeze out a few despite the genre mostly missing my sweetspot.  A nature guy I am not! The best of the lot are likely the ice on the mill wheel as below. Per now nomal practice the rest are on SmugMug and viewable by a click here or on the item snap.

All with the A7r, some with the FE 55, others with the Canon 70-300 adapted via a Metabones III.

Floss on the mill

Marietta on Susquehanna — Redux

Back after quite some time to Marietta, PA.  On the Susquhanna River in Lancaster County. This was a backup location to the Ephrata Cloister, deeper into Lancaster County, which was not appealing given the weather.  This was last visted a number of cameras ago with the Canon 10D in Septmeber of 2005. Was probably time to go back if for technical improvement reasons only.  A few more pixels with the A7r at 36MP vs the 10D's 6MP.   The place hasn't changed much, still rather strange, caught between restoration aspirations and just plain rundown. Proximity to Three Mile Island might be part of the reason.

A favorite snap from 2005 redone below.  Click it or here to see the rest on smugmug.

The ice finally...

subsided enough to brave the sidewalks. Quick trip up Jones Falls, then the sculpture garden at the BMA (which was closed), back to east pratt.  Just enough to possibly quell cabin fever — then again maybe not. All with the now almost ubiquitous A7r — this time with the Canon 135 f/2.0 via the Metabones. As usual click here or on the snap below to see the rest.

Before the games

Watched a tutorial last night by a frenchman named Jean Michel Berts.  Loved his B&W approach. Tried it on some back catalog items and then ran out just before the Denver Vs. New England game.  Here, next door, across the street, back in.

Click here or on the 2223 sanp below for all five.


Here at Club 2223

Patapsco State Park and back

Quick drive to Patapsco Stae Park, just downstream from Ellicott City. Was super day, felt like I was a lot younger, maybe six.  Roads are very twisty, combined with the low winter sun surefire recipe for car sickness —amazingly while I was driving.  Avoided rowlf but still...  Grrrrr.  

Not sure what is up with this place, people live in or right along the edges of what I presume is the park. They all live behind clusters of keep out signs. Place is also very desolate and looks like it might flood really badly in hurricanes and Nor'easters. Feels like Tabacco Road just five miles from the B'more Stadia.  Strange.

Several abaonded houses like the one in the snap below.  After I took a few snaps in what feels like a river gorge, I skipped the Ellicot City tourist strip and headed back to town. Mostly to deal with the motion sickness. On to 95 and a stop in at the Museum of Industry parking lot on the south side of the harbor, then a different approach to a favorite venue at the Canco garage in Canton. The showable snaps in a smugmug gallery. Click here or on the snap below to check them out.

All with the A7r, most with the FE 55, the last three Canco garage and the backyard shots with the Canon 70-300L via a Metabones III adapter.

Sunrise, sunset, swiftly flow the days

A convenient use of the Fiddler on the Roof/Sinatra lyrics to fit the circumstances.  The first was taken yesterday morning, the second tonite. There was some notion of a stitching up a pano for tonite's snaps but no such synapse yesterday. Yesterday's were actually stitched after todays worked out ok. The sunrise pano is only two shots, that is why it is taller, I took a third snap but there is a gap between it and what would be the middle snap, so drat — only two images for the sunrise. The wider, sunset shot, is made up of three images. I had a notion of maybe getting a bonus pano but there wasn't much time as these sun up/down events come and go in a hurry. Certainly no time to grab a tripod, so I used the EVF grid lines to get the horizon more or less in the same place and moved fast and hoped I got the same exposure in AP mode. Worked out pretty well.  Both panos with the A7r with the FE 55mm f/1.8 @ f/5.6. All were the first images shot out of a three shot bracket exposed at -2EV, horizontally for convenience. Stitched in Photoshop not in the A7r.

In keeping with my mantra, F the process, it is the outcome that counts. I think the outcome is just fine.

BTW, "contact" printed these things would be pretty big; 42x15 for Sunrise, 64x15 for Sunset.  Next time I have a printing party, I think I will do Sunset. A new container of yellow ink just arrived from B&H last week.

Yesterday my AA asked if I had any extra prints laying around the house.  Boy do I, finally an opportunity to get rid of some of this stuff, wait until she gets a framing estimate! Hah!

Sunrise 1/13/14

Sunset 1/14/14

Talk about lazy...

it has been a while.  More than a while, months.  Lots of new snaps, a new camera with a couple of new lenses too. Todays snaps all done with the new camera, a Sony A7r, and it seems somewhat unusally the FE 55mm f/1.8.  Lots of A7r owners seem to be heading toward vintage lens adaption. I am doing some adaption, but generally only where it leverages the strength of the camera, which for me is mostly with the Canon 24mm TS-E II f/3.5 and the TS-E 45 f/2.8.  The Sony articulated LCD and focus aids make it a hellofalot easier to focus than the 5D Mk III.

So this morning it was foggy, really foggy and a fog warning in effect until 11AM. Figured I head to Fells Point. But, in an contuation of the car follies that began last Saturday, Charlotte wouldn't start.  Another call to Mercedes Roadside Service — at least I am home this time. 

By necessity then, todays snaps were from around the 'hood.  I'm happy with the outcome.  Click here or on the snap below to wing over to smugmug for the gallery.

A favorite Pratt Street doorway. Never before seen open.

Workin' it!

Back again to the secret spot.  Not so nice light at midday but nevertheless. All there except for the now defunct Port Truck Stop, the subject of a lot of snaps in the past. Click on the snap below to check out the rest.

UA

July 4th images are in the item below. These are from quick stop at Under Armor in Locust point on the way back from getting a haircut on July 5th. All the shots are from the UA HQ, including the new, at least to me, Maryland State Flag turf field on the deck overlooking the harbor. Well all but the snap below, it is from a secret location closer to home.

Secret location nasp

July Fourth!

Two sessions today. The first, the annual parade in Glyndon, MD, a small named place in Baltimore County. The parade had a few fire trucks, a Model A, a 911T and couple of golf carts.  The rest of the parade was the locals who decided to walk instead of watch. The watchers and marchers being interchangeable. Started at 10AM — was over by 10:10AM. Anyway Glyndon apparently like flag displays so a good chunck of the shots are of the flags on houses (sorry KHH).  

The second session was the usual Baltimore fireworks from the fourth floor porch.  

In either case click on the snaps below to be taken to the smugmug galleries. About 45 Glyndon snaps about 35 for the fireworks.

2013 Glyndon Fourth of July Parade

 

2013 Baltimore Fourth of July Fireworks

A stop at the beach

Finished early in NYC this week, so I was able to jet south first thing Friday AM.  The rain was holding off, so I decided to make a stop at Ocean Grove, NJ.  An old beachfront religious summer camp with, hopefully, some interesting victorian buildings.  Turns out not only victorain buildings but the last of a tented village.  Click on the image below to head off to the gallery on smugmug.  

A day at the Labs

The Edison Labs, West Orange, NJ — hard by the Star Tavern, viewable from my 8th grade classroom. Close by to Nash domicles of 20+ years.

Mostly of the main building and really just two floors of that as the top floor is mostly museum-like and glass enclosed.  But the lower floors and the light!  I am guessing it it the windows, embedded wire, and frosted that creates the spectacular light. Handheld only but the NPS has "fences" that are about 3 feet high and have a square tube as the top member, perfect for a tripod substitute. I had the NEX-7 and the flat top surface of the "fence" worked really well with the flip-out LCD on the NEX. I made two passes, the first from bottom to top with the Ziess 24mm f/1.8 (35mm equivelent) mounted with the Carl Ziess Sioftar II filter in front. Then I back-tracked from top to bottom after changing to the Sony 35mm f/1.8 (50mm equivelent). I left the filter off for the second pass.

It was pretty dark so I had to settle for shallower DOFs than I might have prefered to get non-shaky shots even with the image stabilzed 35mm.

Here is one of the snaps, there is a pretty large number, especially since each is in color and B&W (faux platinum), so they are on SmugMug.  Click here or on the snap below to check out the SmugMug gallery.

Heavy Machine Shop

 

Structures and strangers — finally hanging...

On Saturday a crew of Nashettes and the Atkins hung the show at Salt.  All the extra help was much apprreciated after an unplanned visit to a local cath lab and couple of hospital night sleep overs during the week. Only one missfire, because of its size we wern't able to hang the five+ foot wide Pancake Breakfast, the catalog cover shot.  It was replaced with ZCBJ Lodge #298 — Box Butte County, NE (2006) — see the bottom of the post.

The opening was fabulous with Salt doing the wine and cheese and maybe as many as 100 attendees — it was pretty steady from 3:30 up until about 6:00PM. Many thanks to Jane, Jason, Paco and the entire Salt staff. Eric Zygmont covered the event for the Baltimore Guide.

Here are couple of shots by KHH and her always present iPhone.  The ugly one, the last one is of course mine.

A loose artists proof — KHH

TRN from behind - KHHThe show catalog.  It is gorgeous, we are selling copies of it for $50.  Slideshow version here at Vimeo.

The Show Catalog - JEN

We sold a bunch of stuff.  Here is the deal:

All sales of photographs are transacted with Friends of Patterson Park (FOPP) and may be eligible for a tax deduction. Salt will accept payment and and ensure 100% of the funds get to FOPP.

The photographs are part of a “Salt Tavern Limited Edition” which is limited to three prints of each photograph at each offered size.  All photographs are signed and numbered by the artist “au verso” on the rear of the print.  At the buyers discretion unframed prints may also be signed in the lower right front below the print itself.

All photographs are printed, using an Epson 4900 Printer and Ultrachrome HDR Ink on Epson “Signature Worthy” Hot Press Natural Fine Art Paper.  The artist personally printed each print.  When displayed using conservation materials, prints made with this ink and paper combination can be expected to not noticeably fade or change color balance for approximately 100 years.  A certificate of authenticity will be provided with each print.

The prints on display are each numbered #1 and were framed by the artist using Nielsen Bainbridge Profile 97 Aluminum moldings.  Each frame contains a back mat of 4 ply museum board; the front mat is either 4 or 8 ply museum board depending on the size of the print.  The frame also contains a conservation-grade backing sheet.  The backing sheet is foam core in the 16 in x 20 in frames and museum board in the 24 in x 32 in frames.  The 16 in x 20 in frames are glazed with Tru Vue® Conservation Reflection Control Glass (Conservation), the 24 in x 32 in frames are glazed with Tru Vue® Anti-Reflection Glass (AR).  Regardless of size the all frames have a Tyvek dust cover installed.

Prints numbered #2 and #3 will be delivered unmated and unframed in a clear conservation bag. 

10 in x 14 in framed (#1) are $275, unframed (#s 2 and 3) are $200

16.25 in x 24.25 in framed (#1) are $475, unframed (#s 2 and 3) are $400.  The large images are also avaiable unframed in 10 in x 14 in (#s 1, 2 and 3).

Unframed prints maybe signed on the front in the border by the artist at the buyers request.  This signature can be revealed or hidden at the buyers discretion when they have the print framed.

Unframed prints can be delivered within one week of purchase.  We ask that the buyers of the framed prints allow them to stay on display until the end of the show to encourage sale of the unframed prints and the creation of larger benefit stream to FOPP.

ZCBJ Lodge #298 — Box Butte County, NE (2006)


Salt Exhibition

Well a year along now and zooming up upon the the exhibition in March at Salt. The almost final choices have been made, as the video and floor plan get socialized I might tune it a bit more but production will start on February 2nd. There will be 20 prints on display 17 @ 10x14, 2 @20x30 and 1 @ 23x55. ALL proceeds (yes that means gross revenues) will find thier way to Friends of Patterson Park.

Slideshow of the current portfolio on Vimeo or click the Salt snap below.

 

 

Up and at 'em

lots on the agenda today.  Get to Hoboken, stop in Manhattan for some photo ops on the way, watch the Ravens win and the Skins lose. Day was planned to start at at 4AM, which it actually sort of did but a check of the NYC weather showed snow was supposed to stop by 5AM so no sense rushing for that.  Back in the sack until 6AM, on the road by 6:45. Probably good I delayed two hours the NJTP south of exit 6 was an ice rink with cars in all sorts of places they wern't supposed to be. I am sure the two hour delay made my own passage far less stressful.

Parked on Mulberry and Spring, sort of the ven part of the diagram that would be the Bowery, Little Italy, Soho and Chinatown.  Finished about noon, headed to the W in Hoboken and watched the games, popping off a few snaps before the Ravens and Skins games. Multitasked the games and the images. A big load heading to smugmug, 154 to be exact - that is out of 1200+, since I was bracketing there were really was only a third of that. Click on the snap below to zoom off to the gallery.

For the technically inclined, all with the 5D Mk III, with the only lens I brought with me (70-300L) at 1600 ISO, apertures generally north of f/8.0 with a few maybe at f/5.3.  ISO 1600 you scoff, you wouldn't know unless I told you so. With a 154 of them I think they are pretty damn good. Also becuase there were so many not one saw Photoshop, all done in Lightroom 4.  

For the less technical inclined, being uploaded from the bar at the W in Hoboken whilst a Beefeater Martini, shaken not stirred, with a twist, is being consumed.

Clothespins

Suedo Hopper or Gretchen Dow Simpson or so I would like to think.  Wells Beach. dans le style d'un safari en Afrique.  This is the one shot the whole Maine trip was about, it is much harder than I thought to find vernacluar beach architecture with the enormous number of "cottages" that have now displaced the "first growth" structures.

 Another from Biddeford Pool